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Admission is free. No advance reservations. Your seat will be assigned to you when you pick up your ticket at the box office. Seats are assigned on a first come, first served basis. The box office opens one hour before the event.
Organized labor plays an integral role in shaping the conditions in which we work and live our lives. Native Land (1942) and The Killing Floor (1984) explore the endurance of union labor in the face of union antagonism. The existence of these films challenges the anti-labor and anti-communist trends of the 1930s and 1980s. Native Land is narrated by Paul Robeson, who was placed on the Hollywood Blacklist and brought before the House Un-American Activities Committee. The Killing Floor was produced during the Reagan administration’s union busting and cuts to public arts funding. Filming on location, in collaboration with union activists, these films tell stories of union oppression, integration and the fight to preserve basic human rights. Together, they tell a story of organized labor’s power on and off screen.
Native Land
U.S., 1942
Based on the United States Senate’s La Follette Civil Liberties Committee hearings on labor union busting and corporate labor spying, the film became a paean to the growth of the American labor movement. Constructed from documentary and newsreel footage, as well as dramatized reenactments, the film opened commercially in May 1942 and quickly disappeared, its message of class struggle no longer in tune with the rhetoric of national unity which permeated the United States during World War II.
35mm, b&w, 89 min. Directors: Leo Hurwitz, Paul Strand. Screenwriters: Leo Hurwitz, Ben Maddow. With: Paul Robeson, Fred Johnson.
35mm preservation print courtesy of the UCLA Film & Television Archive.
The Killing Floor
U.S., 1984
This critically acclaimed independent film is based upon the true story of a group of Black and white slaughterhouse workers who broke racial barriers by building the first interracial union in the brutal Chicago Stockyards. Damien Leake stars as Frank Custer, a young, Black sharecropper from Mississippi — one of tens of thousands of Black southerners who journeyed to the industrial north during World War I, in the hopes of racial equality. When he lands a job as a laborer on “the killing floor” of a giant Chicago meatpacking plant, he discovers an environment seething with racial antagonism.
DCP, color, 118 min. Director: Bill Duke. Screenwriter: Leslie Lee. With: Damien Leake, Alfre Woodard, Moses Gunn.
Digital preservation courtesy of the UCLA Film & Television Archive and Elsa Rassbach. Special thanks to the Sundance Institute.
Programmed and notes written by Marley Saldivar-Lozano, Wilde Davis, Molly Regan, Blaise Carter, Faith Lam and Samantha Stefanoff.
Special thanks to Nicole Ucedo, Maya Montañez Smukler, Shawn Vancour, Todd Wiener, Amanda Salazar and Steven Hill.
